“There’s an energetic creative force on the horizon named Ayn Inserto, and… she’s Maria Schneider on steroids.” Harvey Siders, Jazz Times.

John Fedchock’s Reminiscence is the exciting sequel to his critically acclaimed quartet recording Fluidity. This collection of timeless standards and fresh originals showcases Fedchock’s dynamic trombone and the sensitive rhythm section of pianist John Toomey, bassist Jimmy Masters, and drummers Dave Ratajczak (tracks 1-6) and Billy Williams (track 7).

Outstanding, unique, though provoking large ensemble jazz with special guests!

Known for its elegant performances, the Cypress String Quartet (Cecily Ward, violin; Tom Stone, violin; Ethan Filner, viola; and Jennifer Kloetzel, cello) has been praised by Gramophone for its “artistry of uncommon insight and cohesion,” and its sound has been called “beautifully proportioned and powerful” by The Washington Post. The Cypress Quartet was formed in San Francisco in 1996, and during its initial rehearsals the group created a signature sound through intense readings of J.S. Bach’s Chorales. Built up from the bottom register of the quartet and layered like a pyramid, the resulting sound is clear and transparent, allowing the texture of the music to be discerned immediately.   The Cypress String Quartet has added several new recordings to its extensive discography in recent years. In March 2012 and February of 2013 respectively, the Quartet released the complete three-CD set of Beethoven’s Late Quartets, which was named Best Classical CD of 2012 by the Dallas Morning News, and an all-Dvořák disc on the AVIE record label featuring Cypresses, B. 152 (the work from which the ensemble draws its name) and String Quartet in G, Op. 106.  The album has garnered significant attention and is being featured on Sirius XM and PRI Classical, and was chosen as a CD of the Week on WQXR in New York. In May 2014, the Cypress released a recording of Schubert’s String Quintet D956 with cellist Gary Hoffman paired with Schubert’s Quartettsatz D703, also on AVIE. The New York Times called the album a “tender, deeply expressive interpretation.”   The Cypress continues to maintain a busy national and international tour schedule, making appearances on concert series and in venues including Cal Performances, Kennedy Center, Library of Congress, Stanford Lively Arts, Krannert Center and Ravinia Festival. Their collaborators include artists such as Leon Fleisher, Jon Nakamatsu, Awadagin Pratt, Gary Hoffman, Atar Arad, James Dunham, and Zuill Bailey.   Through its signature Call & Response program the Cypress Quartet commissions and premieres new string quartets from both emerging and celebrated composers, asking them to write in response to established chamber repertoire. Call & Response creates a dynamic dialogue between the past and present, between performers and composers, and among audiences of all ages. The Cypress Quartet’s annual Call & Response concert has earned a strong West Coast following and is preceded by community outreach throughout the Bay Area in public libraries, unorthodox spaces, and schools. In addition, the Cypress frequently tours Call & Response repertoire, bringing these new works to cities across the country.   To date, the Cypress Quartet has commissioned and premiered over 30 pieces, four of which were chosen for Chamber Music America’s list of “101 Great American Ensemble Works.” Commissioned composers include Benjamin Lees, Jennifer Higdon, Kevin Puts, George Tsontakis, and Elena Ruehr.   A vibrant member of the San Francisco arts community, the Cypress String Quartet dedicates itself to reflecting and enriching the city’s cultural landscape through collaborations with the de Young Museum, San Francisco Girls Chorus, and ODC-Dance.  As part of its efforts to support and promote Bay Area arts and music, the CSQ self-curates a Salon Series held in intimate, exquisite spaces in Berkeley, San Francisco, and Palo Alto.  Now in its fourth season, the CSQ Salon Series features the masterworks of the string quartet canon as well as CSQ commissions.   The Cypress Quartet members received degrees from many of the world’s finest conservatories before coming together as a quartet. These include The Juilliard School, Guildhall School of Music & Drama and the Royal College of Music (London), The Cleveland Institute of Music, the San Francisco Conservatory of Music, and Indiana University. After a residency at the Banff Centre and a fellowship at the Center for Advanced Quartet Studies of the Aspen Music Festival, the Quartet coached intensively in London with the Amadeus Quartet. Cypress members count the Cleveland and Juilliard Quartets as some of their greatest influences.   The members of the Cypress Quartet play exceptional instruments including violins by Antonio Stradivari (1681) and Carlos Bergonzi (1733), a viola by Vittorio Bellarosa (1947), and a cello by Hieronymus Amati II (1701). The Cypress Quartet takes its name from the set of twelve love songs for string quartet, Cypresses, by Antonin Dvořák.

The title of (the first track ‘Royal Rendezvous’) is an apt description of the recording-a royal rendezvous of talent and music. The band’s sound is tight and a thrill to hear. Charles Hanna-Jazz Critic, Minneapolis

The recording which was essentially the kick-starter for the record label. Following a couple releases on other labels, Summit Brass opted to create their own identity and home. Toccata & Fugue was the first release on their Summit Records.

New York flutist Don Bailey has recorded for Summit, Genuin, Parnassus, and Albany Records. In its review of his debut CD Voyage, American Record Guide praised his “impeccably controlled sound… full of artful colors and nuances…exceptional attention to detail…unfailing precision”. Fanfare said his Tribute CD was “…a delight from beginning to end… Bailey boasts a brilliant technique and a bristling sense of excitement.”.

Jim Shearer holds a D. M. A. in Performance and Literature and a Performer’s Certificate from the Eastman School of Music in Rochester, NY. He teaches tuba, euphonium, music history, and music appreciation to graduate, undergraduate, and honors students at New Mexico State University in Las Cruces, where he holds the joint titles of Regents Professor of Music and Distinguished Achievement Professor. In addition, he presents concerts, master classes, and lectures as a Yamaha Performing Artist. An active classical soloist, Dr. Shearer has appeared throughout the United States as a guest artist with various wind ensembles and orchestras and in solo and chamber recital performances in The Great American Tuba Show and The Great American Trio. In the early 1990s, he traveled to Switzerland as a participant in the 47th Concours International d’Exécution Musicale, the first time this prestigious competition included the tuba as a solo instrument. He has toured Japan as a member of the Eastman Wind Ensemble, playing concerts and recording a compact disc for the Sony Classical label. In 2006, Shearer toured Colombia with the NMSU Faculty Brass Quintet and Wind Ensemble for the United States Department of State. While in Colombia, he performed for over 25,000 people at the national band festival and gave educational classes in Bogotá and Paipa. He is a former Principal Tubist with the El Paso Symphony Orchestra, the current Principal Tubist for both the Roswell and Las Cruces Symphony Orchestras, and a former member of El Paso Brass, with whom he released three commercial recordings. His playing can also be heard on blues artist Eric Bibb’s CD Diamond Days on Telarc Records. During a regional broadcast on NPR, Saint Paul Sundayhost Bill McGlaughlin referred to Shearer and his tuba playing as the “lowest of the low brass!” (We think he meant it as a compliment.)

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The title of (the first track ‘Royal Rendezvous’) is an apt description of the recording-a royal rendezvous of talent and music. The band’s sound is tight and a thrill to hear. Charles Hanna-Jazz Critic, Minneapolis

The title of (the first track ‘Royal Rendezvous’) is an apt description of the recording-a royal rendezvous of talent and music. The band’s sound is tight and a thrill to hear. Charles Hanna-Jazz Critic, Minneapolis