Expanding Spaces – Boston University Wind Ensemble, David J. Martins, Conductor
4 October 2018 Darby
Expanding Spaces is a collaborative project between the Boston University Wind Ensemble and four Boston University faculty composers to perform and record contemporary works related to the theme of Expanding Space. Three of these works, “Squares and Oblongs” by Rodney Lister, “four scenes for Juliet” by Ketty Nez, and “The Vacant Shore” by John Wallace were commissioned for this project. The fourth work, “Solar Prominences” by Richard Cornell, was commissioned for the Concord (Massachusetts) Band in 1988 for their 25th anniversary season.
Like Me – Vincent LePape
17 June 2016 Kip
A journey through the many faces of the trombone
American Visions – American Brass Quintet
8 July 2014 Darby
…. In the field of contemporary brass music, the American Brass Quintet continues to be recognized as one of the world’s leading ensembles.
PREMIER! – American Brass Quintet
8 July 2014 Darby
Learn more about the American Brass Quintet.
Expanding Spaces – Boston University Wind Ensemble (Digital download full cd)
17 May 1922 Kip
Expanding Spaces is a collaborative project between the Boston University Wind Ensemble and four Boston University faculty composers to perform and record contemporary works related to the theme of Expanding Space. Three of these works, “Squares and Oblongs” by Rodney Lister, “four scenes for Juliet” by Ketty Nez, and “The Vacant Shore” by John Wallace were commissioned for this project. The fourth work, “Solar Prominences” by Richard Cornell, was commissioned for the Concord (Massachusetts) Band in 1988 for their 25th anniversary season.
Expanding Spaces – Boston University Wind Ensemble
4 February 1819 Darby
Expanding Spaces is a collaborative project between the Boston University Wind Ensemble and four Boston University faculty composers to perform and record contemporary works related to the theme of Expanding Space. Three of these works, “Squares and Oblongs” by Rodney Lister, “four scenes for Juliet” by Ketty Nez, and “The Vacant Shore” by John Wallace were commissioned for this project. The fourth work, “Solar Prominences” by Richard Cornell, was commissioned for the Concord (Massachusetts) Band in 1988 for their 25th anniversary season.