Simply Stunning original compositions performed solo. Critically acclaimed Michika Fukumori on thirteen moving solo piano tunes, which are conversations between the piano and Michika. On “Piano Images” she combines music from her favorite composers (Rodgers, Porter, Jobim) with her stunning original compositions…there is ‘one’ piece, “Oceans in the Sky” that is ‘four-hands’ (with Steve Kuhn) that lights up the program…
Incredible solo recording.
MICHIKA FUKUMORI/Piano Images: The jazzy lady once again gives you all you need with just her and her piano. Going solo on a set of mostly originals can be daunting but she’s more than up for the challenge. A supremely enjoyable piano romp, these new tunes make themselves right at home in no time and become harder and harder to resist with each new playing. Well done.
-Midwest Record by Chris Spector
On her sweeping, emotionally riveting and engagingly impressionistic third album Piano Images, Japanese born, NYC based jazz pianist Michika Fukumori uses her instrument – and a very thoughtful and crafty set list of originals and Brazilian and Great American Songbook classics = to paint a beautiful, introspective self-portrait.
Fully embodying her statement that “music always lights up my life,” the multi-talented artist – who studied classical composition before embarking on a nearly two decade career in jazz – creates a unique series of moods, introducing us to her versatile style via lighthearted blues and swing before sharing a unique four track suite called “The Seasons,” in which she uses music to share a multitude of childhood memories of her hometown of Iga, Japan.
With a mixture of delight and melancholy, she spends the balance of the recording sharing her interpretations of standards by Richard Rodgers (“Where or When”), Cole Porter (“Ev’ry Time We Say Goodbye”) and Antonio Carlos Jobim. Another key track is the haunting, dramatically rendered ballad “Oceans in the Sky,” penned by her mentor, Steve Kuhn, who produced her first two recordings. Here, the two engage in a powerful, four hand piano performance.
Piano Images is more than simply a collection of excellent originals and interpretations by Michika. It’s an intimate invitation to understand who she is, where she came from, what inspires her and, perhaps most importantly, why we should love her.
-Jonathan Widran, reviewer
Japanese-born, New York-based pianist Michika Fukumori’s first two albums—Infinite Thoughts (Key Click Records, 2004) and Quality Time (Summit Records, 2016)—found her comfortably ensconced in piano trio settings. That most time-honored of formats served her well on both, introducing and showcasing a player with a precision touch, sure sense of swing, and imaginative leanings. For this third date, Fukumori goes it alone. She explores the art of solo piano, using her own original music and classics from the likes of Antonio Carlos Jobim, Cole Porter, and Richard Rodgers as the lenses through which she views the 88 keys in front of her.
Piano Images opens on two standalone works—”Colors Of Blues,” Fukumori’s personalized distillation of the titular form and feeling, and “Into The New World,” a genial swinger with an unhurried attitude. Each serves as a story unto itself, but as a pair these pieces help to brand her as a solo pianist with solid technical resources, patient painting skills, and a fanciful if somewhat staid outlook. What immediately follows—”The Seasons,” a four-part suite calling to and drawing from Fukumori’s youth in her hometown of Iga, Japan—confirms what Fukumori reveals in those first glimpses. In a mere sixteen minutes she takes us on a yearlong journey filled with myriad emotions: “The Answer Is…(Winter)” blends wistful thoughts with sanguine signs, “The Story I Want To Tell You (Spring)” carries blooming aspirations in its lightly bounding steps, “The Days We Were Smiling (Summer)” takes a simple and direct route to a nostalgic nook, and “Tomorrow is Full Of Promises (Fall)” plays true to its name.
Slowly unwrapping Rodgers’ “Where Or When” at the album’s midpoint, Fukumori carries us from her own past to a more universal stop along life’s highway(s). Then she sets us firmly in the present with an alluring “Palco” (A Little Dancer),” a stroll through Jobim’s “Chovendo Na Roseira,” and a heartfelt “My Muse,” her dedication to mentor Steve Kuhn. That last number almost seems to carry a summoning spirit in its tides, as Kuhn, Fukumori’s longtime teacher and producer, then appears as a guest for a rippling and positively radiant four-handed take on his “Oceans In The Sky” that serves as the album’s clear high point. What remains—a sad-eyed “Luiza” and a concise “Ev’ry Time We Say Goodbye”—is simply a return to form. While Fukumori’s songcraft and execution is a tad reserved at times, there’s no doubting her skills and the depth of emotion presented in her playing . As Piano Images points out, this is a musician worth noting and knowing.
-Dan Bilawsky, AllAboutJazz.com